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Notes about the Budapest Tarot uncut sheets

Budapest Tarot

The Budapest tarot is a reconstruction based on various examples of 3 distinct pages of uncut cards, preserved at the Szépmuvészeti Múzeum (The Museum of Fine Arts) in Budapest, at the Metropolitan Museum of Art in New York City, and The Cary Collection of Playing Cards at the Yale University Library in the Beinecke Rare Book and Manuscript Library. These pages are coloured, stenciled woodcuts, whose origin would be either Ferrarese or Venetian, dating back to the end of the 15th century. The pages comprising the “Budapest tarot” are noteworthy because they depict what is probably the oldest complete series of 22 trump cards from a printed tarot deck. 

The originals and their preservation locations:

The Szépmuvészeti Múzeum preserves 20 fragments of printed pages from different but similar sets, dating back to the 16th or end of the 15th centuries in northern Italy. These examples of ancient cards are found in the form of sheets of uncut cards, most likely discovered on the covers of books. In fact, these images show many flaws, having been salvaged from the original materials, and then cut and bound together. The paper has been trimmed to match the size of the book cover, and consequently all of the remaining paper was glued together to form a thick and rigid cover. We can still see the adhesive residue, and the mutilation of the pages actually refers to these cuts.

In general, these fragmentary pages are comprehensive enough to complete the overall images from the 9 engraved wooden molds that are used to produce them. Several different sheets can be compiled between them, and by their format, their style and the sequence of cards that follow, they can form 4 games, including a Tarot.

The pages were all preserved in the Magyar Nemzeti Múzeum (Hungarian National Museum), which auctioned a few duplicates of its pages to the Metropolitan Museum in 1922. As attested in an article written by Melbert B. Cary, Jr. in 1939, the record at the time of this sale dates these pages back to the 15th century, with a Venetian origin.

The sheets from the Met are catalogued as 26.101.4 and 31.54.159, which together represent 11 almost complete cards and 7 card fragments, and 26.101.5 with 8 cards and 13 fragments.

Pages from the Szépmuvészeti Múzeum with their direct online link:

Sheet 1 :

Sheet 2 :

Sheet 3 :

It is interesting to note that a stencil that must have been used for the color yellow is part of the collection of playing cards from Yale University in New Haven, Connecticut. It corresponds to the sheet containing the numerical series of wands and swords, with their 2 aces, respectively a leopard and a lion. With no visible traces of color, I deduced that it was probably rejected for these reasons. A reproduction can be seen in the encyclopedia of the tarot of Kaplan (vol 2) p 282.

Other fragments are in private collections. One of them in particular has been printed in reverse, a phenomenon already recognized from the Rosenwald trump sheet.

These sheets are sometimes referred to as “Dick”. Harris Brisbane Dick donated an incredible collection of works of art to the Metropolitan Museum through the Harris Brisbane Dick Fund in 1926.

From this tarot, it can be assumed that 3 out of 4 sheets were found. The set is therefore complete, with the exception of the cups and pentacles going from the Az to the 10, or 58 cards out of 78. Knowing that each sheet has 20 cards and that one of the sheets contains the space for 2 cards, the sum”(4×20) -2″ gives well the adequate number of cards for a tarot deck.

Description of the 3 sheets :

Here is what we can observe from the 3 sheets composed of 4 rows of 5 cards.

Sheet 1:

King of Swords – King of Cups – King of Pentacles – King of Wands – Jack of Swords

R1 – King of Swords – King of Cups – King of Pentacles – King of Wands – Jack of Swords

R2 – Jack of Cups- Knight of Swords – Knight of Cups – Knight of Pentacles – Knight of Wands

R3 – Chariot – XV Tower – X Wheel of Fortune – XIII – XIIII Devil

R4 – IIII Emperor – V Hierophant – II Empress – III High Priestess -() Matt

Sheet 2:

R1 – VIIII Strength – I The Magician- Jack of Pentacles (female character) – Jack of Wands – Queen of Cups

R2 – Queen of Pentacles – Queen of Wands- Queen of Swords – XI The Hermit – XII The Hanged Man

R3 – XV III Sun – XVIIII Judgment – XX Justice – () World – XVII Moon

R4 – …. – …. (2 empty slots on the mold) – VIII Lovers – VI Temperance – XVI Star

Sheet 3:

R1 – 6 of Wands – 5 of Wands – 4 of Wands- 3 of Wands – Az of Wands (Leopard)

R2 – 7 of Wands – 8 of Wands – 2 of Wands – 9 of Wands – 10 of Wands

R3 – 5 of Swords – 4 of Swords – 3 of Swords – 2 of Swords – Az of Swords (Lion)

R4 – 6 of Swords – 7 of Swords – 8 of Swords – 9 of Swords – 10 of Swords

It seems obvious that a last sheet structured like sheet 3 was added to this tarot.

The Trumps Order:

() Fool – I Magician – II Impress – III Popess – IIII Emperor – V Pope – VI Temperance – VII Chariot – VIII Lover – VIII Strength – X Wheel of Fortune – XI Hermit – XII Hanged Man- XIII – XIIII Devil – XV Tower – XVI Star- XVII Moon – XV III Sun – XVIIII Judgment – XX Justice – () World

The placement of the World at the top followed by Justice in XX and then Judgment refers to the order of the “Type B” established by Dummett and thus indicates a Ferraran (or Venician?) origin.

This tarot is therefore all the more valuable because it constitutes practically the only physical cards trace of this tradition, which disappeared around 1600.
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About the Rosenwald tarot uncut sheets

The 3 uncut sheets from the “Rosenwald collection” – National Gallery of Art de Washington D.C. (1951.16.5 -1951.16.6-1951.16.7)

The documents and their location :

From this ensemble of 3 uncut cards sheets, 2 distinct groups are emerging :

The first Group 1951.16.7

The first sheet shows an almost complete series of tarot trumps; only the fool is missing. 3 queens follows after the trumps. This sheet appears to be printed in reverse. It should be noted that another version of this very same sheet is preserved in Germany, at the Deutsches Spielkartenmuseum, and it is printed in the right orientation. Therefore, once they are placed in the right sense, the cards displayed in 3 bands of 8 cards dispatched on the mold, could easily follow their original order.

They read as follows, from left to right and from bottom to top :

Queen of Cups, Queen of swords, Queen of Coins, (I) Magician, (II) Popess, (III) Empress, (IIII) Emperor, (V) Pope, (bottom row)

(VI) Lover, (VII) Temperance, (VIII) Justice, (VIII) Force, (X) Chariot, (XII) Hermit, Hanged Man, Wheel of Fortune / (at the center)

Death, Devil, Tower, Star, Moon, Sun, World, Jugement / (top row)

Only the roman numbers inter-brackets are visible on the cards. The other one don’t have any.

The second group 1951.16.5 -1951.16.6

The next 2 sheets could easily form a complete pack of 48 cards, similar to the 4 low bands of a tarot deck from which you would have removed the queens and tens. The differences in style, in terms of the the engraving refinement, as well as for the representation of the series symbols are striking to say the least. Similar full decks of 48 cards are known by scholars. One of them in particular is known as the Assisi deck. It is a colored deck with the back glued, and is stylistically extremely similar to the Rosenwald group, comprised of two sheets.

I will not delve into greater detail at this point, as this will be the subject of a forthcoming developement and new “Tarot Sheet Revival” releases.

Origin and dating :

Knowing about the existence of a second version of the trumps sheet, I send a request to the au Deutsches Spielkartenmuseum. In answer, Dr Annette Köger, museum curator, kindly sent me a copy of their specimen that can be found under the aid number Inv.Nr. B 1006.  She also pointed out that another document, a page book, was associated with it.

At this point, the discarded paper materials were not thrown away, but recycled into raw materials, particularly for the manufacturing of book bindings. So that for book cover restoration, very old documents are able to resurface. The fact that these sheets are related provides an important indication as to the dating and/or discerning of geographic origins.

By chance, this page comes from a Latin book : The “Consiliorum, Sive Responsorum d. Petri Philippi Cornei Patricii Perusini, Pontificii, Caesareique Luris Consultissimi” by Pier Filippo Corneo. It has been published a dozen times, and the specific edition had to be determined.

From there, I found this recently posted information on the tarot history. You can follow this link to learn more:

http://forum.tarothistory.com/viewtopic.php?f=11&t=1105&p=17038&hilit=rosenwald

A book of the same edition resides at the Biblioteca Comunale, Augusta, Perusia (I B 399). Therefore​, we can assign the later date of 1501-1502 to our sheet, and assume that it has been in Perusia.

The Franco Pratesi text, along with Thierry Depaulis contribution,  can help to clearly establish the question of date and origin.

Italian version : http://www.naibi.net/a/601-UMBRIA-Z.pdf

And an english translation: http://pratesitranslations.blogspot.be/2017/02/jan-5-2017-1501-1521-cards-from-perugia.html

About the trumps’ order :

The 2 last cards of our serie, the higher ones, are “The World” followed by “The Jugement”. This indicates that our deck follows the Type A order, specific to the Florentine tradition. Important similarities can also be noted with a Minchiate design, without the additional cards.

The Rosenwald trumps sheet is a precious document regarding the origins of the printed tarots, maintaining its veil of mystery. There are many theories surrounding a complete ensemble formed by the 3 sheets in a regrouped format; however, I think that the strongly marked differences between groups 1 and 2 suggest caution in terms of definitive analysis and conclusions. But of course, there is nothing preventing us from reviving them as a new poetic formula.

Références :

Thierry Depaulis, Tarot, jeu et magie, Paris, Bibliothèque Nationale, 1984. Book online in french : http://gallica.bnf.fr/ark:/12148/bpt6k6532698n.r.
n° 27 (“Trois feuilles de la collection Rosenwald”, “Florence (?), Italie, début du XVIe s.”).

Thierry Depaulis, Le Tarot révélé : une histoire du tarot d’après les documents, La Tour-de-Peilz : Musée Suisse du Jeu, 2013. (p. 30-32).

Le premier Groupe 1951.16.7

Le second groupe 1951.16.5 -1951.16.6

          

“A very special thank to Thierry Depaulis for his rereading of the french version of this article and his precious advices for during this article writing and to my friend Jessica Webster Mills who is always kind enough to make me write a proper english.”